arrange • compose • conduct
Posts specifically about choral music
You’ve got to plan ahead for long trips. We’re working on a very slow ballad in Shades of Blue, requiring breath support for phrases that always feel like they’re going one beat longer than you expect. The thing that makes the difference is planning like you’re going on a long […]
Follow your own true north in programming as a conductor. There are a lot of shoulds for conductors. I’ve heard conductors say, “Every ACDA performance program should include a Baroque or Renaissance piece.” I’ve heard conductors say, “Every student should graduate high school having sung X, Y, and Z.” I’ve […]
A piece and your ensemble’s relationship with it will continue to evolve after its first performance. Best to let that evolution happen before the official premiere! Premiere performances can bring a lot of stress. The performers feel a duty to bring the piece to life in its first performance. There […]
I’ve been experimenting with a new strategy in my after school rehearsals: starting optional vocal warmups before the rehearsal starts. At 2:45, we start a one-hour rehearsal. At 2:35, I start doing some basic vocal warmups. It’s optional to attend – they have all already sung today, and their voices […]
Are you on the fence about turning over more musical decisions to your students? Here’s how I think about it. I am more knowledgeable and experienced than all of my students. That means I can arrive at the best musical decision much faster than my students. I can make 3 […]
Why I’m wishing I was at the ACDA National Conference. Not for the amazing choral performances, which I wish I could hear. Not for the inspiring lectures, which I wish I could absorb. Not for the reading session, which would give me ideas for the future. No, I wish i […]
We don’t take enough time to really talk about how hard it is to sing music well. Especially difficult, harmonically rich music. But really any vocal music. If I’m rehearsing a saxophone quartet, and the tenor plays a B-natural instead of a B-flat in a C7(b13) chord, I might stop […]
In a well-run choir class, there’s no such thing as busywork. From vocal warmups to sight reading to music literacy skills to repertoire rehearsal to good news and story time; everything is placed there intentionally to advance the growth and success of the singers. Indeed, everything is is designed intentionally […]
My ideal ensemble environment is high expectations but low stakes. How do you, as a director, lower the stakes of a performance? “Stakes Too High” is a common cause of lowered performance. Performers do worse when they’re particularly anxious, and it’s essential that a director find ways to lower the […]
How do you decide level of difficulty for your repertoire? I’m of eight minds (at least). Mind One: Program easier repertoire that students can be successful at while learning and growing. Mind Two: Program Goldilocks repertoire that challenges students without wiping them out. Mind Three: Program tough, tough repertoire that […]