Why Not To Do It
Don’t do it to win. Do it to enjoy.
arrange • compose • conduct
Don’t do it to win. Do it to enjoy.
What’s the chord with the highest risk of making young singers struggle?
The best craftsmanship makes itself disappear.
Going into the studio? Hold these competing thoughts as true.
There’s a brief liminal space when you’re thinking about both wrapping up this year and planning for next year.
How do you make a creative impact?
One night. Sixteen students. One ensemble.
A hallmark of an experienced performer is knowing when a problem is not about you.
Don’t stay neutral, own your bias.
Bill Wurtz returns with an important question.