We Won’t Move On
Holding ground in discomfort is a teacher superpower.
arrange • compose • conduct
Holding ground in discomfort is a teacher superpower.
What is the right number of solos to audition for in your ensemble?
How do you handle a significant regression between rehearsals?
What makes a new piece readable?
Understanding types of motion is essential to excellent ensemble singing.
Try this as you get closer to performance.
Don’t underestimate how having an audience will help your rehearsal. Any audience.
Some of my fondest musical memories have come on the other side of tired.
Successful music-making is like driving home from school.
Don’t forget to leave time for things to settle.