Ensemble Continuity
I have often said that the best thing about Fall Semester is Winter Semester – especially for small groups and jazz groups.
arrange • compose • conduct
Posts specifically about choral music
I have often said that the best thing about Fall Semester is Winter Semester – especially for small groups and jazz groups.
It’s that season again…when all the choir directors I know barely have time to sleep. Here’s a little prayer/mantra to use on the way through.
I’ve revised my list of what I’ll use as landmarks of choral sophistication.
What do we mean when was ask a youth choir for a more mature sound?
How do you motivate choral singers to reach their potential?
I hope my students explore their entire vocal range.
Where on the beat do initial consonants belong?
Could you gamify the choir education experience?
Does your musical interpretation evolve? Do you let it evolve in front of students?
What does ensemble intonation have to do with ego?