3 Things
This approach is magical in the way it engages an ensemble in its own growth.
arrange • compose • conduct
This approach is magical in the way it engages an ensemble in its own growth.
The why of the phrase is more important than the what.
What musical choices should every ensemble singer regularly default to?
When the conductor’s working with another section of an ensemble I’m in, this is the game I play.
Is it weird to enjoy the rehearsals more than the concerts?
Rehearsals can have wildly different intentions.
What’s keeping students from staying focused in rehearsal?
Rehearsal: the one place I’m always focused.
When I’m teaching “off the shelf” arrangements, these are the three things I’m most likely to, um, adjust.
What’s your favorite kind of rehearsal?