Strength or Weakness
Pivoting in rehearsal from specifics to wider reflection – strength or weakness?
arrange • compose • conduct
Pivoting in rehearsal from specifics to wider reflection – strength or weakness?
Ceding authority in rehearsal takes a little bit of fearlessness. And a lot of trust.
Does your musical interpretation evolve? Do you let it evolve in front of students?
My favorite rehearsals are the desperate ones.
There comes a time in every mix when fresh ears are required.
What do you want your ensemble to remember as you approach their first concert of the year?
My ideal choral tone is transparent.
In rehearsal, don’t start by offering a solution to a problem.
Why do you expect focus in rehearsal?
How do you decide your demeanor with an ensemble?