arrange • compose • conduct
There is freedom and creativity found inside a concert planning formula. The first time I noticed a programming formula in practice was when I was in Gold Company in college. Steve Zegree would consistently program (1) An upbeat pop-centered opener, with choreography, followed without speaking by (2) and up-tempo accompanied […]
I am of two minds on repeating yourself in rehearsal. On the one hand: repeat yourself until the message sinks in. My students shout back at me some of my rules of music-making with the slightest prompting: “We’re dragging. Why not try…” “Physicalize the beat!”“The only way to memorize is?” […]
This unsung hero of the choral program deserves a round of applause. I’ve written before about the value of good graphic design tools for choir directors. Many other tools are rightly recognized: pianos, pitch pipes, recording tools; even Spotify or Apple Music for sharing example recordings. But what of the […]
Tonight, I heard an ensemble demonstrate something I had been pretty sure was impossible.* Knowing it’s possible will change my musical outlook forever. That’s one of two reasons I program hard music by great ensembles with my groups. When an ensemble hears New York Voices or The Real Group or […]
As we’ve gotten back into events that we haven’t done in a while, I find myself having to approach them differently. The event the Rockford Aces hosted last night, for example, ran since 2012. In 2019 it had to be canceled unexpectedly, so after seven years of running it, there […]
Changing the quality of the beat can go a long way to helping choirs switch genres. Transitioning between traditional choral and more contemporary pop genres can stymie choirs, and one of the challenges is a difference in the quality of rhythm. I tend to think of rhythm in even the […]
The way I see it, for the last two years we’ve been at sea with our ensembles. We were out on our voyage when we were becalmed by the pandemic. When the winds picked back up, the students I was leading needed to be led to a harbor. Any harbor. […]
A key question for conductors to ask themselves is, “Have I prepared my ensemble so that they achieve even when I’m not there?” My students are performing tomorrow at State Solo & Ensemble. I won’t be there, nor am I at their rehearsal tonight. It is profoundly difficult for me […]
It’s time to send yourself an email to arrive in July. This is the time of year when you are able to see what worked and what didn’t, while you’re still in the middle of it. In the summer, this will all seem like a foggy memory – the struggles […]
I spent plenty of time as a kid in music class learning how long notes last. A quarter-note lasts 1 beat, a half-note lasts 2 beats, etc. But that knowledge, on its own, obscures and possibly undermines more sophisticated approaches to music-making. The important questions are “What beat does this […]