arrange • compose • conduct
Seth Godin has written frequently about using two axes of differentiation (X-Y axes) as a way to target your art. (This post lays it out with a big quote from Godin’s book This is Marketing.) In short: if you lay out two characteristics along the X-Y axis (remember coordinate geometry?) […]
There are many more than 95 reasons to love Alice Parker. She is one of the world’s leading choral composers and arrangers (two sides of the same coin, says she. The only difference is in one case you wrote the melody, and in the other case someone else did.). She […]
Dish management is the secret to a successful Thanksgiving don’t you think? For a while I thought it was oven management – the flow chart that dictated when each baked dish would slip into the oven so that everything was hot and ready at roughly the same time. But a […]
Yesterday, I finally got to share one of the projects that has been occupying my work daily for the last couple of months. This arrangement, a lullaby version of the Beatles’ “Golden Slumbers,” was written in a flurry the week after we lost a former student, Katherine, at 22. She […]
In late September I wrote one of my favorite arrangements in my whole catalog. It happened over about 72 hours, when inspiration met a few free hours, and then an entire unscheduled Sunday. Now, in November, having recorded it (remotely) and prepared for its release, I already can’t remember the […]
One of the strategies I’ve been using to find new reharmonization in my arranging involves writing outer lines first. Melody comes first, always. Then, a strong counter-line in the bottom voice. It might be linear, contrapuntal, or functional (fourths and fifths). With those two written, it’s a question of exhaustively […]
I was flattered when my former student, Harrison Witt, asked me to write an arrangement for his Senior Recital in his Jazz Voice degree at Western Michigan University. When he settled on an “Out Of This World” theme, we came to “Lost In The Stars” as a song to write […]
I spend part of most days writing music. And a small but significant portion of that time, every single session, is focused on musical clarity. Why focus on clarity? Alice Parker says that only 5% of the music you can imagine can be notated, so why worry so much about […]
I’ve been working on virtual recording projects a lot this year, and pieces of these projects often trickle in over days and weeks. The result is that I’m piecing together recordings one part at a time, and often with major parts or voices missing. Generally, I’m familiar enough with the […]
I attended a great Zoom masterclass led by the great Anders Edenroth, of The Real Group, today. He spent the hour talking about his philosophies of recording, and especially about how to adapt to the new normal and make quality recordings in the home. But I also wrote down this […]