arrange • compose • conduct
Yesterday, I finally got to share one of the projects that has been occupying my work daily for the last couple of months. This arrangement, a lullaby version of the Beatles’ “Golden Slumbers,” was written in a flurry the week after we lost a former student, Katherine, at 22. She […]
In late September I wrote one of my favorite arrangements in my whole catalog. It happened over about 72 hours, when inspiration met a few free hours, and then an entire unscheduled Sunday. Now, in November, having recorded it (remotely) and prepared for its release, I already can’t remember the […]
One of the strategies I’ve been using to find new reharmonization in my arranging involves writing outer lines first. Melody comes first, always. Then, a strong counter-line in the bottom voice. It might be linear, contrapuntal, or functional (fourths and fifths). With those two written, it’s a question of exhaustively […]
I was flattered when my former student, Harrison Witt, asked me to write an arrangement for his Senior Recital in his Jazz Voice degree at Western Michigan University. When he settled on an “Out Of This World” theme, we came to “Lost In The Stars” as a song to write […]
I spend part of most days writing music. And a small but significant portion of that time, every single session, is focused on musical clarity. Why focus on clarity? Alice Parker says that only 5% of the music you can imagine can be notated, so why worry so much about […]
I’ve been working on virtual recording projects a lot this year, and pieces of these projects often trickle in over days and weeks. The result is that I’m piecing together recordings one part at a time, and often with major parts or voices missing. Generally, I’m familiar enough with the […]
I attended a great Zoom masterclass led by the great Anders Edenroth, of The Real Group, today. He spent the hour talking about his philosophies of recording, and especially about how to adapt to the new normal and make quality recordings in the home. But I also wrote down this […]
I am watching a Zoom rehearsal led by one of my mentors and remembering the moment I first wanted to arrange music. April had written an arrangement of “Route 66” for my high school vocal jazz group on a flight home from Europe. It was mostly an extended solo feature […]
I’m transcribing a standard from Ella and Louis right now – phrasing and all. It’s…hard. Because Ella’s phrasing is so complex and hip. The back phrasing floats across beats in a way that swings and is completely ineffable. So the question becomes, how do you balance accuracy and readability? On […]
I’ve been thinking about an important step in my creative process that I sometimes forget to factor in. Polishing. After I finish the arranging or composition work on a piece, my desire is to get it to the commissioning ensemble as soon as possible. But first, there needs to be […]