arrange • compose • conduct
For the past 5 or 6 years, I’ve had an annual Tip Jar in which I accepted donations from readers to help support my costs of maintaining the website. Many people were very generous in their encouragement of my writing. In 2020, I skipped it – it was a time […]
I had an interesting arrangement challenge recently – it was for a flash mob-style performance at a wedding, and had some very specific requirements, not least a very limited amount of rehearsal time. Since the commissioning party is an excellent singer but not a professional musician, I thought carefully about […]
I consider the albums recorded by Ella Fitzgerald and Louis Armstrong (Ella and Louis, Ella and Louis Again, and Porgy and Bess) to be some of the most important jazz vocal albums of all time. The playing, the singing, the swinging, the sheer joy of these albums is immeasurable. I […]
There are almost always many different ways to notate the same thing. As simple a change as 4/4 vs 2/2, to more complex metric changes (3/4 in 1 vs 6/8 in 2, e.g.), enharmonic notation, even notating a rubato vs. just using fermatas. When you have to decide how it’s […]
I am completing what I sincerely hope is my last virtual choir video editing project. (It’s one more recording from Shades of Blue, to be premiered soon!) What’s been pleasing is how much more quickly this one has come together. I was able to come up with a vision for […]
When I write music, I often scratch out the rhythms long before I write notes. That’s especially true with vocal music – I’ll layout the meter on a notecard and draw in rhythms that reflect my phrasing of the text. Then and only then will I experiment melodically within my […]
One of the things I love about attending masterclasses and clinics from master musicians is that I can glean new words to put around musical ideas. Sometimes the words are harder than the ideas – I can grasp a concept, but not succinctly describe it. Hearing someone else’s words can […]
I’ve written before about how the insufficiency of Roman Numeral analysis leads to problems when voicing chords. But it seems to me that chord inversions change the character of chords so significantly that we should regard inversions as equally important to the the Roman Numeral. The little 6 is just […]
I have a lot of ideas that don’t amount to anything. We all do. When I’m trying to create, I often try a lot of ideas that don’t lead to very much. It’s only when I stumble (it often feels like stumbling) across a unifying concept that the creative work […]
Jazz chord symbols and nomenclature developed as a shorthand, like figured bass before it. Well-executed, it enables an interpreter to play a piece without needing to read a densely notated score. They also allow players to freely improvise and create within rhythmic, melodic, and voicing frameworks. Because it’s so freeform, […]