arrange • compose • conduct
William Shakespeare is celebrated less for creating original stories – many of his best plays were adaptations of earlier works – than for the piercing language he used to tell the stories. The specific scenes, interactions, and dialogue he used are what make him the most celebrate English-language author. I […]
A 4-bar phrase might take me half an hour to finish, if I’m working carefully and meticulously. it might have taken me twice or three times as long when I started writing. That same phrase will only last 5 seconds when performed. When we’re writing, time loses clear meaning, and […]
My bread comes out almost exactly the same every time. Even when I take photos of my bread loaves fresh from the oven, they look the same as they did 6 or 8 years ago. It got me thinking about creative voice. Is my bread consistent because I have a […]
The longer I write music, the more I think in terms of timbre minimum. Timbre, to my ears, is more important than specific voicing. What kind of sound is it? Is it unison? 2-part? 4-part close position? 4-part open position? 6-part? Is it vocal percussion, vocal bass, and three part […]
More and more, I’m enamored with chords I can’t label under a triadic/diatonic/jazz framework. They might be quartal chords, whose labels never seem to quite successfully describe how they work. They might be the passing clustery nonsense in Alice Parker’s arrangement of “Vive L’Amour“, which work great because of the […]
I have been blessed with some fabulous Patrons on Patreon supporting me in creating new vocal music every month. In April, my project was an a cappella SATB arrangement of “What’ll I Do?” – the classic Irving Berlin ballad that recently entered the public domain. Patreon supporters get free access […]
For the past 5 or 6 years, I’ve had an annual Tip Jar in which I accepted donations from readers to help support my costs of maintaining the website. Many people were very generous in their encouragement of my writing. In 2020, I skipped it – it was a time […]
I had an interesting arrangement challenge recently – it was for a flash mob-style performance at a wedding, and had some very specific requirements, not least a very limited amount of rehearsal time. Since the commissioning party is an excellent singer but not a professional musician, I thought carefully about […]
I consider the albums recorded by Ella Fitzgerald and Louis Armstrong (Ella and Louis, Ella and Louis Again, and Porgy and Bess) to be some of the most important jazz vocal albums of all time. The playing, the singing, the swinging, the sheer joy of these albums is immeasurable. I […]
There are almost always many different ways to notate the same thing. As simple a change as 4/4 vs 2/2, to more complex metric changes (3/4 in 1 vs 6/8 in 2, e.g.), enharmonic notation, even notating a rubato vs. just using fermatas. When you have to decide how it’s […]