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Jed Scott Music

arrange • compose • conduct

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Semi-Virtual Choir

December 1, 2020December 1, 2020 jedscottChoral Music, Corona

In the weeks of in-person school, my wife had the brilliant idea to have all the choirs working on the same piece. A perfect message arrived in Gwyneth Walker’s “How Can I Keep From Singing.” It also offered, just before high schools in Michigan all returned to remote learning, a […]

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Vertical Awareness

November 30, 2020November 30, 2020 jedscottChoral Music, Conducting, Music Literacy

I talked with my students about a specific type of vertical awareness today. I think it’s really essential to train ourselves as choir singers to be able to see beyond our own staff – it’s one of the gifts of being in a choir rather than a band or orchestra, […]

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December Without Concerts

November 29, 2020November 29, 2020 jedscottChoral Music, Christmas, Corona

Our family usually counts down the time between Thanksgiving and Christmas not with days, but with concerts. Twenty in these three weeks of school isn’t out of the ordinary. Of course, there won’t be anything close to that this year. What’s to come of a December without concerts? Well, probably […]

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Hours at Sea – Published

November 28, 2020November 28, 2020 jedscottChoral Music, Commissioning, Repertoire List

With the Michigan Choral Commission Consortium (MC3), last year I commissioned Z. Randall Stroope’s SATB a cappella setting of Sara Teasdale’s “I Have Loved Hours At Sea.” It’s passionate, evocative, and lyrical – it ranks, to my mind, alongside his most beloved choral works. The statewide premieres and performances of […]

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Expressive/Accurate

November 27, 2020November 27, 2020 jedscottChoral Music, Conducting

I’ve been thinking about a scale of interpretation that ranges from accurate to expressive. So often, so many ensembles, conductors, and academicians focus on accuracy. They focus on composer’s intent, historically-informed performance practice, and ensuring that each ensemble member correctly reproduces what is in their score. But I think that […]

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Dish Management

November 26, 2020November 26, 2020 jedscottArranging, Composition, Human Nature

Dish management is the secret to a successful Thanksgiving don’t you think? For a while I thought it was oven management – the flow chart that dictated when each baked dish would slip into the oven so that everything was hot and ready at roughly the same time. But a […]

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5 Pies

November 25, 2020November 25, 2020 jedscottChoral Music, Conducting

Okay, I made 5 pies. One I’m passing along to my nearest family members (with whom we are not sharing Thanksgiving dinner), leaving 4 for our 5 family members. Surely that sounds like overkill, to make 80% of a pie per person. But on a special feast like Thanksgiving, I […]

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Choir People

November 24, 2020November 24, 2020 jedscottChoral Music, Corona, Human Nature

I just finished a Virtual Game Night with the vocal jazz ensemble I direct, GRCC Shades of Blue. Seven of the nine members this semester were able to attend. We’ve been rehearsing and recording virtually all semester, and owing to the nature of our system, they haven’t all even met […]

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Well In Advance

November 23, 2020November 23, 2020 jedscottConducting, Performing

Over the years, you learn to plan Thanksgiving dinner well in advance. We’re planning an elaborate feast for Thanksgiving this year. (For my immediate family, because that’s clearly the right choice). Each dish is a favorite of one or more in our house; they’ve all been in rotation for years. […]

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Golden Slumbers

November 22, 2020November 22, 2020 jedscottArranging, Updates, Vocal Jazz, Writing

Yesterday, I finally got to share one of the projects that has been occupying my work daily for the last couple of months. This arrangement, a lullaby version of the Beatles’ “Golden Slumbers,” was written in a flurry the week after we lost a former student, Katherine, at 22. She […]

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Jed Scott writes music and words in Rockford, Michigan. Learn more here.

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