arrange • compose • conduct
“Who is it for?” is one of my top animating questions for any artistic project. The more specific you can be about who the art is for, the more decisive you can be in crafting the art. Who, then, is my new Patreon experiment for? It’s for people who want […]
Why did I choose to experiment with the Patreon direct-patronage model? First, I think the model is really good. Working for a patron when patronage was prevalent in the Baroque and Classical eras correlates with some really remarkable music being written. Moving away from the single commission model can light […]
I’ve been creating music as a career for a long time – my first paid commission came about 20 years ago, and my work is now fairly evenly divided between teaching/conducting and writing for choral ensembles. While virtually all of my work over the last 10+ years has been on […]
When we teach dynamics, students learn that forte means loud. In Italian, forte more precisely means strong. But I think even that doesn’t do enough. Dynamics are relative – a forte passage in a vocal jazz piece might feel very different from a forte passage in a Gospel piece, for […]
From Dr. Brené Brown’s conversation with Jim Collins, this gem about a trusting mindset. Collins is describing the mindset of his mentor and co-author, Bill Lazier. He said, “There’s this fundamental fork in the road in life, and it is your opening bid to trust or does somebody have to […]
I remember my aunt being an expert at touching the tip of her nose with her tongue (as my daughter is, now). Her advice for learning the skill? Your tongue needs to sneak up on your nose. Now, of course our tongues can’t actually sneak up on our noses. But […]
In this excellent podcast conversation, Brené Brown and Adam Grant discuss the difference between pursuing success and pursuing mastery. Success is an external motivator – its focus is in how you are received by the world. Mastery is an internal motivator – its focus is in how you interact with […]
What will the harmonic language of your next piece be? Hopefully, your musical studies and experiences have given you fluency in multiple harmonic languages. Pentatonic; modal; tonal; functional jazz; modal jazz; atonal….the list goes on.As I begin to write a piece, I am thinking about the harmonic language, and how […]
I tend to be less particular about texts than some composers. I know many composers who don’t involve the commissioning ensembles at all in selecting the text, or who retain final veto, or who control the text decision in some other ways. I personally think of myself as a hired […]
I like to program only repertoire I love – I love the text, or I love the arrangement, or I love the melody, or I love the concepts it teaches – but it’s never attainable for all singers in a choir love all the pieces in their folders. As a […]