arrange • compose • conduct
Posts about vocal jazz.
I remember wanting to learn to mark scores more effectively, and being told by someone, “there’s lots of different ways to mark score. However you do it is fine, just pick a method.” I remember mostly being utterly unsatisfied with that suggestion – what I wanted was a specific tool […]
Recently asked online: “Are part recordings cheating?” That is, does providing part recordings diminish an ensemble experience because we don’t force our students to develop the reading and keyboard skills to learn the music on their own? The answer is: of course not. In fact, I think our music education […]
Almost nothing happens in the lyrics of the classic Antonio Carlos Jobim song “Waters Of March.” It’s kind of my favorite thing. The plan of the houseThe body in bedAnd the car that got stuckIt’s the mud, it’s the mud Afloat, adriftA flight, a wingA hawk, a quailThe promise of […]
One of the gifts of teaching music beyond the Western canon is the opportunity to teach music that does not hold score fidelity as an essential ingredient. Vocal harmony music – vocal jazz, contemporary a cappella, and related genres – offers a multitude of opportunities to teach beyond the score. […]
When we differentiate between foreground, middleground, and background parts in vocal music, the shorthand tends to be about dynamics – volume. Louder for the foreground, quieter for the background. But there is more to differentiating these parts than just pure decibel change. Volume change. Naturally. Timbre change. Brighter, more core […]
I have been blessed with some fabulous Patrons on Patreon supporting me in creating new vocal music every month. In April, my project was an a cappella SATB arrangement of “What’ll I Do?” – the classic Irving Berlin ballad that recently entered the public domain. Patreon supporters get free access […]
“I don’t like their voice” is about the least compelling criticism I’ve ever heard. Almost any singer whose voice is distinctive from the average sound is going to receive this criticism. I’ve heard it recently about both Jacob Collier and Lin-Manuel Miranda. But I could have heard it said about […]
Please enjoy Shades of Blue’s virtual recording of “Ain’t Nobody Here But Us Chickens” – out in virtual choir style now. It was the hardest chart we recorded remotely this year. Darmon Meader’s writing never disappoints, and this is a fun and silly song for him to play with. It […]
It’s my end-of-school-year tradition to publish the repertoire my ensemble sang over the year. With my fourth year at GRCC in the books, here are the pieces Shades of Blue learned and performed. Shades of Blue had eight singers (2-2-2-2) in the fall semester and nine singers (2-2-3-2) in the […]
I consider the albums recorded by Ella Fitzgerald and Louis Armstrong (Ella and Louis, Ella and Louis Again, and Porgy and Bess) to be some of the most important jazz vocal albums of all time. The playing, the singing, the swinging, the sheer joy of these albums is immeasurable. I […]