100 Hour Skill
Can you estimate the real time that developing a new skill will require?
arrange • compose • conduct
Can you estimate the real time that developing a new skill will require?
The fastest way isn’t necessarily full speed.
You can’t work on what you can’t see.
With ensembles that don’t have enough rehearsal time, they should always practice with a bias towards memorization.
You can’t become great without first being less-than-great.
Part recordings are a great tool – but not without their drawbacks.
I love transcribing music. It’s not a strictly musical skill.
What do you do when you’re over-prepared for something?
Think of music-making as a problem-solving practice.
I find I work most effectively when I do the opposite of multi-tasking.