arrange • compose • conduct
I had a little bit of a down day today. For unimportant but real reasons, I was feeling frustrated, tired, and run down. (I mean, we are still in a pandemic. That alone is enough justification for all of us to have these occasional days.) I almost canceled my rehearsal […]
Trust is only valuable when it’s in action. Theoretical trust – what does that even mean? One of my favorite ways of practicing trust in action is with a subito fortissimo. Because the truth is that if you don’t trust the choir around you, you are going to sing mezzo […]
How does an audience’s knowledge of the piece you’ll be performing change your interpretation? If I’m conducting a new work, or a piece that I’m fairly certain most audience members are unfamiliar with, I’ll prepare it differently than if I’m preparing the US National Anthem or a Beatles song. (And […]
I spent the last fifteen minutes of rehearsal reading three children’s books to my students. We preceded it with a conversation about what it takes to deliver a potent performance to an audience. With a solid year since most of them gave a performance, it’s important to at least talk […]
When we teach dynamics, students learn that forte means loud. In Italian, forte more precisely means strong. But I think even that doesn’t do enough. Dynamics are relative – a forte passage in a vocal jazz piece might feel very different from a forte passage in a Gospel piece, for […]
I like to program only repertoire I love – I love the text, or I love the arrangement, or I love the melody, or I love the concepts it teaches – but it’s never attainable for all singers in a choir love all the pieces in their folders. As a […]
Love must be at the center of great music-making. Not always romantic love, but love nonetheless. Love of friends. Love for the human connection. Love for music. Deep connection is at the core of all the best music I’ve ever experienced. The connection comes from love. Without that core, the […]
I’m working on a MIDI guide track for part-learning, and am heeding the advice of Anders Edenroth, who suggested moving beyond a simple clave-style click track. Even though the final track will be a cappella, there is value in giving a rhythmic foundation that helps singers feel the groove as […]
Setting intentions at the beginning of rehearsal is great. For example, I might say, “Let’s set an ensemble intention to have fewer side conversations during rehearsal.” But this intention is more effective if, in the previous rehearsal, I provided feedback at the end. In other words, setting an intention for […]
I’ve been attending a great series of physical and vocal warmups on Wednesdays, presented by Katarina Henryson and The Real Group Academy. She leads a group on Zoom for a 40-minute warmup that leaves me feeling recharged, ready to sing, and inspired. She pointed out today that her warmup has […]