arrange • compose • conduct
This is just a semi-regular reminder that arranging is composition. Aside from creating a melody, every aspect of composing is exactly mirrored in arranging. Key selection, shaping of form, orchestration choices, methods of development and creative adapting of the melody: these are all present in good arranging as well as […]
Piano/vocal scores have the most ambiguous tempo markings. Things like: Moderately. Medium Tempo. And my current favorite: Sturdy Ballad. I got to wondering today: why, oh why, are they so vague? I try to offer as much specificity as I can in my scores – often a descriptor plus a […]
Allow me to offer a first listen to my long-delayed canon based on Lewis Carroll’s Jabberwocky, best known for its appearance in Through The Looking Glass. I completed the piece in late-2019, and would have premiered it with the Rockford Aces at the 2020 World Choir Games. We all know […]
I was looking over a score I was finishing up the other day, and I absently thought to myself, “Oops, forgot to put lyrics in.” Only these were horn parts I was looking at. It’s how I know I’m a vocal writer at heart. There is so much I love […]
William Shakespeare is celebrated less for creating original stories – many of his best plays were adaptations of earlier works – than for the piercing language he used to tell the stories. The specific scenes, interactions, and dialogue he used are what make him the most celebrate English-language author. I […]
It has been my great good fortune to spend some time with Alice Parker over the last few years: she is as remarkable as you think, and each opportunity to chat with her is a treasure to me. I’m offline this week and visiting once again with Alice; I highly […]
Curation involves assessing a lot of artistic works and selecting the ones that work together cohesively. To me, while there is room for intuition and spontaneous composition, the most successful composition is a form of curated improvisation. I give myself the time to experiment, with my inner critic turned off. […]
A 4-bar phrase might take me half an hour to finish, if I’m working carefully and meticulously. it might have taken me twice or three times as long when I started writing. That same phrase will only last 5 seconds when performed. When we’re writing, time loses clear meaning, and […]
My bread comes out almost exactly the same every time. Even when I take photos of my bread loaves fresh from the oven, they look the same as they did 6 or 8 years ago. It got me thinking about creative voice. Is my bread consistent because I have a […]
The longer I write music, the more I think in terms of timbre minimum. Timbre, to my ears, is more important than specific voicing. What kind of sound is it? Is it unison? 2-part? 4-part close position? 4-part open position? 6-part? Is it vocal percussion, vocal bass, and three part […]