arrange • compose • conduct
Design is a vital and often overlooked part of writing music. I’ve long been obsessed with design – thanks to my long relationship with graphic design by way of concert programs, CDs, posters, etc. I spend at least a little bit of every week with visual design. Which is why […]
My (alto) student remarked this evening, “Tenor parts are weird.” The correct response is, “You’re right. And alto parts are weird too, right? But they’re weird in the way you know.” If you’re an alto, alto parts are normal-weird. But tenor parts are just weird. If you’re a tenor, it’s […]
With each new project I create as a composer or arranger, I have a few personal goals for growth (beyond crafting a good piece, with clear notation, that suits the ensemble I’m writing for, etc.). Do Less. For the arrangement I’m currently finishing, I’ve had three arrangements worth of ideas. […]
How creative are you before you create? Before you write a note of your new piece… …make a word cloud of adjectives to describe the piece. To describe each phrase, each section. …draw a map of the shape, the way John McPhee would to craft an essay. …speak, dance, time […]
Once upon a time, I always thought like an arranger when I arranged, like a composer when I composed. Effective voicings. Timbre, texture, form, phrasing. I still think about all of those things, of course. But I prioritize thinking like the performer. Would I enjoy singing this? Would this read […]
A few years ago, Terry Gross got songwriting team Hugh Martin and Ralph Blaine to talk about writing their classic “Have Yourself A Merry Little Christmas,” and in particular about the various versions of the lyric. They began by sharing the original penultimate lyric, which Judy Garland refused to sing: […]
I have said many times that living at the same time as Stephen Sondheim is a blessing akin to living at the same time as Mozart or Da Vinci. Starting today, we can no longer say that: Stephen Sondheim died today at 91. It’s a profound loss, but look at […]
I’ve been revisiting some old works of mine recently, and simultaneously thinking about the current musical trend of harmonic maximalism.* I love the rich harmonies that are at the heart of harmonic maximalism, but my heart isn’t in exploring that path. As I’ve looked at older and more recent works, […]
This is just a semi-regular reminder that arranging is composition. Aside from creating a melody, every aspect of composing is exactly mirrored in arranging. Key selection, shaping of form, orchestration choices, methods of development and creative adapting of the melody: these are all present in good arranging as well as […]
Piano/vocal scores have the most ambiguous tempo markings. Things like: Moderately. Medium Tempo. And my current favorite: Sturdy Ballad. I got to wondering today: why, oh why, are they so vague? I try to offer as much specificity as I can in my scores – often a descriptor plus a […]