arrange • compose • conduct
Chess offers infinite variations and joys – it rewards strategic thinking, study, and repetition. I’m especially interested in the lesson it gives about the muddy middle of the game, and of any project. Since middlegame positions are unique from game to game, memorization of theoretical variations is not possible as […]
When I experience the sensation of writer’s block, a good strategy for me is to make it meta. I write about the writer’s block. I write about strategies that have worked in the past to get me through it. I write about the circumstances that might have led to the […]
I’ve been thinking about an important step in my creative process that I sometimes forget to factor in. Polishing. After I finish the arranging or composition work on a piece, my desire is to get it to the commissioning ensemble as soon as possible. But first, there needs to be […]
I wrote for an hour today and then threw it all away. Was it a waste of an hour? It’s easy to say yes, because I finished the hour precisely NO closer to completing the project. And I’d be lying if I didn’t walk away from that precious hour a […]
I have been writing and rewriting a challenging bridge section of a piece. (It’s always the bridge, isn’t it?) For these challenging sections, it’s all about multiple drafts for me. I write, I print, I markup with a colored Flair Pen. I revise, I edit, I start again. It’s hard […]
I’ve been thinking a lot about what sorts of musical characteristics will be effective in arrangements and compositions written for virtual choirs. Here are a few I’ve settled on: Guided aleatoric writing. A freely sung section lessens the burden on lonely singers to master tricky rhythmic timing. Great voice leading. […]
Don’t write it down until it’s the same three times. I learned this rule from others, especially Alice Parker, who has written with her usual clarity about her process in her books. As I’m writing, I’m constantly singing (shakily) and playing (barely passably) whatever I’m working on. And until it […]
I am so gratified to be able to announce results in the first ever Composition Competition from the Michigan Choral Composition Competition. We welcomed submissions from women composers and had fourteen entries in our no-entry-fee competition. There were two tiers of competition, for Established and Emerging composers, with cash prizes […]
The Michigan Choral Commission Consortium has been a labor of love for me for four years – during which time we have commissioned nearly 10 new choral works from a remarkable and diverse group of American composers. When the Stay-at-Home order hit in Michigan, I offered my services for one […]
Here are five questions I ask myself before I start an arrangement: In as much detail as I can determine, who will be performing the piece? In as much detail as I can determine, who will be listening to the piece? (Is the audience fluent in the style of music, […]