arrange • compose • conduct
I am so gratified to be able to announce results in the first ever Composition Competition from the Michigan Choral Composition Competition. We welcomed submissions from women composers and had fourteen entries in our no-entry-fee competition. There were two tiers of competition, for Established and Emerging composers, with cash prizes […]
The Michigan Choral Commission Consortium has been a labor of love for me for four years – during which time we have commissioned nearly 10 new choral works from a remarkable and diverse group of American composers. When the Stay-at-Home order hit in Michigan, I offered my services for one […]
Here are five questions I ask myself before I start an arrangement: In as much detail as I can determine, who will be performing the piece? In as much detail as I can determine, who will be listening to the piece? (Is the audience fluent in the style of music, […]
I played a new little arrangement for dear friends tonight, and it included a tasty reharmonization that arrived once in each verse. My brilliant musician friend reminded me, don’t overuse the good stuff. As he said, overusing a powerful move can dilute its power. The surprise of a reharmonization is […]
How do you end without an ending? Musicians are well accustomed to clear endings. Whether it’s the exuberantly repetitive final cadence in a classical symphony, a wailing 13(#11) chord for a big band, or the Plagal Amen at the end of a hymn, we pay a lot of attention to […]
In times of upheaval, I lean on touchstones–works of art that have shaped me and the continue to be sources of inspiration, influence, and solace. It might be rereading a favorite novel, a cherished poem, a movie, or (especially often) a favorite album with a good pair of headphones. How […]
As my composition students work hard to shape strong melodies, I try to remind them to have faith in the next melody. It takes pressure off of my current project to know that there will always be another melody. I still try to craft the piece I am working on […]
I used to think linearly in my writing–work on one project until it’s done, and then start the next one. More recently, I’ve found two big benefits from having multiple current projects at once. First, it enables me to stay more consistently creative. Knowing that I have several things to […]
In my experience, every piece you write makes you feel like a new composer again. That’s because every aspect of writing a piece comes with limitations and guides you in specific directions. They all make demands on your writing that require you to become a new composer. The text makes […]
I’ve been thinking lately about Lynda Barry’s “The Two Questions.” It’s a short autobiographical comic about creativity, originally published in McSweeney’s Issue #13. She writes about her desire to create and the struggles she constantly goes through, in particular with the two questions her inner censor is constantly asking: “Is […]