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Composition

Difficulty-Joy XY

December 19, 2020December 19, 2020 jedscottArranging, Choral Music, Composition, Creativity

Seth Godin has written frequently about using two axes of differentiation (X-Y axes) as a way to target your art. (This post lays it out with a big quote from Godin’s book This is Marketing.) In short: if you lay out two characteristics along the X-Y axis (remember coordinate geometry?) […]

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95

December 16, 2020December 16, 2020 jedscottArranging, Choral Music, Composition

There are many more than 95 reasons to love Alice Parker. She is one of the world’s leading choral composers and arrangers (two sides of the same coin, says she. The only difference is in one case you wrote the melody, and in the other case someone else did.). She […]

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The Lesson of the Lark

December 4, 2020December 4, 2020 jedscottChoral Music, Composition, Corona

Take some time tonight starting at 7pm to check out the premiere of my friend Jeffrey Cobb’s new major work, The Lesson of the Lark. Based on a children’s book by his wife, Laura Knight Cobb, it’s a concert work celebrating the centenary of women’s voting rights in a work […]

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Dish Management

November 26, 2020November 26, 2020 jedscottArranging, Composition, Human Nature

Dish management is the secret to a successful Thanksgiving don’t you think? For a while I thought it was oven management – the flow chart that dictated when each baked dish would slip into the oven so that everything was hot and ready at roughly the same time. But a […]

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Outer Lines First

November 17, 2020November 17, 2020 jedscottArranging, Composition

One of the strategies I’ve been using to find new reharmonization in my arranging involves writing outer lines first. Melody comes first, always. Then, a strong counter-line in the bottom voice. It might be linear, contrapuntal, or functional (fourths and fifths). With those two written, it’s a question of exhaustively […]

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Directing Focus

November 14, 2020November 14, 2020 jedscottComposition, Conducting, Human Nature

Directing focus is a big part of what I think about as a conductor: How do we direct focus towards the voice part with the melody? How do I direct focus away from myself and to my students? How do I maintain the ensemble’s focus on the music at hand? […]

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Why Focus on Clarity?

November 10, 2020November 10, 2020 jedscottArranging, Composition, Music Literacy

I spend part of most days writing music. And a small but significant portion of that time, every single session, is focused on musical clarity. Why focus on clarity? Alice Parker says that only 5% of the music you can imagine can be notated, so why worry so much about […]

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What Are Rhymes For?

November 6, 2020November 7, 2020 jedscottComposition, Writing

Great songs don’t require rhymes. Great poetry doesn’t, either. So why do so many have them? From Shakespearean sonnets to the Beatles to Stephen Sondheim, rhymes have a massively important place in the creation of both song and poem. But none of it is required. The art form includes them […]

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Brute Force Composing

October 23, 2020October 23, 2020 jedscottComposition, Creativity

The romantic image of creators is one of drawing inspiration from the world and translating it at the piano onto staff paper. Perhaps you revise as you go, or in a draft process, but in essence you are creating in real time and putting it on the page. I would […]

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Tom Lehrer Songs

October 20, 2020November 7, 2020 jedscottComposition, Copyright, Creativity

I make no secret of my admiration for Tom Lehrer – an admiration that I came by naturally, thanks to my dad’s love, which followed his introduction to Lehrer’s first record by his sister, who heard Lehrer around Harvard in the early ’50s. Simply put, Tom Lehrer is the most […]

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Jed Scott writes music and words in Rockford, Michigan. Learn more here.

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