arrange • compose • conduct
Posts specifically about choral music
…and never start a choir function with talking… “Your gathering begins at the moment your guests first learn of it. […] The intentional gatherer begins to host not from the formal start of the event but from that moment of discovery.” (145-146) I’m thinking a lot about first rehearsal right […]
“A gathering’s blandness is a symptom of a disease….And what is the disease? That the gathering makes no effort to do what the best gatherings do: transport us to a temporary alternative world. (112) The emphasis of this chapter is about creating effective rules – “pop up rules” that might […]
“Who wants to sail on a skipperless ship?” (71) A skipperless ship is not something most choral gatherings need to worry about – indeed, conductors are very accustomed to being the skippers of their ships. That said, I know I’m often motivated to be a “chill” leader in my rehearsals […]
It comes down to this: “A category is not a purpose.” (p.2) So here’s the question of the day: a choir is a category – what is it purpose? Parker writes, “If I were to ask you the purpose behind [your] gatherings, I wouldn’t be surprised to hear what I […]
“As much as our gatherings disappoint us, though, we tend to keep gathering in the same tired ways. Most of us remain on autopilot when we bring people together, following stale formulas, hoping that the chemistry of a good meeting, conference, or party will somehow take care of itself, that […]
I’m beginning a series on the brilliant book The Art of Gathering by Priya Parker, looking at the ideas from each chapter and how they might specifically apply to choral gatherings. As we go, I’m going to write about specific choral gatherings that I encounter in a normal school/concert year, […]
It turns out, you can go back again. Thirty years later, I successfully and cheerfully finished a backpacking trip with a Scout troop, much like the one I remember on Isle Royale when I was thirteen. This one was through the Porcupine Mountains in the UP of Michigan, and it […]
One of the gifts of teaching music beyond the Western canon is the opportunity to teach music that does not hold score fidelity as an essential ingredient. Vocal harmony music – vocal jazz, contemporary a cappella, and related genres – offers a multitude of opportunities to teach beyond the score. […]
One of my main criticisms of typical “acapop” arrangements comes down to this question: Would it sound better if those parts were being played by instruments? So much of pop a cappella consists of straight lifts from original band recordings, and minimal adaptation to vocal writing. The problem is, that […]
I read omnivorously, across many genres of fiction and non-fiction. If it’s well-written and engaging, I’m interested. But sometimes, when I’ve had a busy stretch of life with no space for reading, I find it difficult to get back into reading. I’m just a little out of practice. When I […]