arrange • compose • conduct
Clare Fischer grew up close to where I live, in Grand Rapids Michigan, and came to be one of the most important voices in contemporary harmony and arranging. He died ten years ago today. You can remember him fondly for his work as arranger and pianist for The Hi-Lo’s (like […]
With each new project I create as a composer or arranger, I have a few personal goals for growth (beyond crafting a good piece, with clear notation, that suits the ensemble I’m writing for, etc.). Do Less. For the arrangement I’m currently finishing, I’ve had three arrangements worth of ideas. […]
Once upon a time, I always thought like an arranger when I arranged, like a composer when I composed. Effective voicings. Timbre, texture, form, phrasing. I still think about all of those things, of course. But I prioritize thinking like the performer. Would I enjoy singing this? Would this read […]
I’m working on an arrangement for vocal group and big band right now, and as I write it, I regularly remind myself, “You don’t have to fill every bar.” Sections can take breaks. There can be extended rests. In fact, most players would get pretty mad if their parts were […]
Today at the Jazz Education Network Conference they had their annual Vocal Jazz Reading Session. Unlike in typical choral reading sessions, the JEN session (and IAJE before it) features a lineup of about a dozen vocal jazz heavy hitters, who are able to give respectable performances of music that’s really […]
You keep your New Year’s celebration. For me, today is all about celebrating Public Domain Day! Every year for the last few years, music from 95 years previous has entered the public domain. 2022 is no exception, welcoming all music published in 1926. We are well into the early years […]
I’ve been revisiting some old works of mine recently, and simultaneously thinking about the current musical trend of harmonic maximalism.* I love the rich harmonies that are at the heart of harmonic maximalism, but my heart isn’t in exploring that path. As I’ve looked at older and more recent works, […]
I’ve been busy this week, among other things, prepping three of my old scores for publication. These are arrangements from various dates in the past – the oldest more than 15 years old. I am certainly no longer emotionally tied to these old scores, which allows me to really assess […]
This is just a semi-regular reminder that arranging is composition. Aside from creating a melody, every aspect of composing is exactly mirrored in arranging. Key selection, shaping of form, orchestration choices, methods of development and creative adapting of the melody: these are all present in good arranging as well as […]
Piano/vocal scores have the most ambiguous tempo markings. Things like: Moderately. Medium Tempo. And my current favorite: Sturdy Ballad. I got to wondering today: why, oh why, are they so vague? I try to offer as much specificity as I can in my scores – often a descriptor plus a […]