arrange • compose • conduct
This is just a semi-regular reminder that arranging is composition. Aside from creating a melody, every aspect of composing is exactly mirrored in arranging. Key selection, shaping of form, orchestration choices, methods of development and creative adapting of the melody: these are all present in good arranging as well as […]
Piano/vocal scores have the most ambiguous tempo markings. Things like: Moderately. Medium Tempo. And my current favorite: Sturdy Ballad. I got to wondering today: why, oh why, are they so vague? I try to offer as much specificity as I can in my scores – often a descriptor plus a […]
It’s my first time writing our annual Cabaret Show in two years. In the meantime, I’ve made the switch from Finale, which I used from 1993 to 2020, to Dorico. The element that is most important to me in writing our Cabaret Show is speed – I try to get […]
I was looking over a score I was finishing up the other day, and I absently thought to myself, “Oops, forgot to put lyrics in.” Only these were horn parts I was looking at. It’s how I know I’m a vocal writer at heart. There is so much I love […]
Just because we all have to be in agreement doesn’t mean we all have to be beholden to the page. A rhythmic disagreement between sections tonight offered an opportunity to ignore the sheet music. Sheet music, of course, only contains a fraction of the musicality – there’s a lot of […]
One of my main criticisms of typical “acapop” arrangements comes down to this question: Would it sound better if those parts were being played by instruments? So much of pop a cappella consists of straight lifts from original band recordings, and minimal adaptation to vocal writing. The problem is, that […]
William Shakespeare is celebrated less for creating original stories – many of his best plays were adaptations of earlier works – than for the piercing language he used to tell the stories. The specific scenes, interactions, and dialogue he used are what make him the most celebrate English-language author. I […]
A 4-bar phrase might take me half an hour to finish, if I’m working carefully and meticulously. it might have taken me twice or three times as long when I started writing. That same phrase will only last 5 seconds when performed. When we’re writing, time loses clear meaning, and […]
My bread comes out almost exactly the same every time. Even when I take photos of my bread loaves fresh from the oven, they look the same as they did 6 or 8 years ago. It got me thinking about creative voice. Is my bread consistent because I have a […]
The longer I write music, the more I think in terms of timbre minimum. Timbre, to my ears, is more important than specific voicing. What kind of sound is it? Is it unison? 2-part? 4-part close position? 4-part open position? 6-part? Is it vocal percussion, vocal bass, and three part […]