arrange • compose • conduct
Today at the Jazz Education Network Conference they had their annual Vocal Jazz Reading Session. Unlike in typical choral reading sessions, the JEN session (and IAJE before it) features a lineup of about a dozen vocal jazz heavy hitters, who are able to give respectable performances of music that’s really […]
You keep your New Year’s celebration. For me, today is all about celebrating Public Domain Day! Every year for the last few years, music from 95 years previous has entered the public domain. 2022 is no exception, welcoming all music published in 1926. We are well into the early years […]
I’ve been revisiting some old works of mine recently, and simultaneously thinking about the current musical trend of harmonic maximalism.* I love the rich harmonies that are at the heart of harmonic maximalism, but my heart isn’t in exploring that path. As I’ve looked at older and more recent works, […]
I’ve been busy this week, among other things, prepping three of my old scores for publication. These are arrangements from various dates in the past – the oldest more than 15 years old. I am certainly no longer emotionally tied to these old scores, which allows me to really assess […]
This is just a semi-regular reminder that arranging is composition. Aside from creating a melody, every aspect of composing is exactly mirrored in arranging. Key selection, shaping of form, orchestration choices, methods of development and creative adapting of the melody: these are all present in good arranging as well as […]
Piano/vocal scores have the most ambiguous tempo markings. Things like: Moderately. Medium Tempo. And my current favorite: Sturdy Ballad. I got to wondering today: why, oh why, are they so vague? I try to offer as much specificity as I can in my scores – often a descriptor plus a […]
It’s my first time writing our annual Cabaret Show in two years. In the meantime, I’ve made the switch from Finale, which I used from 1993 to 2020, to Dorico. The element that is most important to me in writing our Cabaret Show is speed – I try to get […]
I was looking over a score I was finishing up the other day, and I absently thought to myself, “Oops, forgot to put lyrics in.” Only these were horn parts I was looking at. It’s how I know I’m a vocal writer at heart. There is so much I love […]
Just because we all have to be in agreement doesn’t mean we all have to be beholden to the page. A rhythmic disagreement between sections tonight offered an opportunity to ignore the sheet music. Sheet music, of course, only contains a fraction of the musicality – there’s a lot of […]
One of my main criticisms of typical “acapop” arrangements comes down to this question: Would it sound better if those parts were being played by instruments? So much of pop a cappella consists of straight lifts from original band recordings, and minimal adaptation to vocal writing. The problem is, that […]