arrange • compose • conduct
I have a lot of ideas that don’t amount to anything. We all do. When I’m trying to create, I often try a lot of ideas that don’t lead to very much. It’s only when I stumble (it often feels like stumbling) across a unifying concept that the creative work […]
Jazz chord symbols and nomenclature developed as a shorthand, like figured bass before it. Well-executed, it enables an interpreter to play a piece without needing to read a densely notated score. They also allow players to freely improvise and create within rhythmic, melodic, and voicing frameworks. Because it’s so freeform, […]
Besides “Who is it for?”, one of the most important questions to ask with any new creative endeavor is, “How could I fail?” If your new creative endeavor has no possible way of failing, then it isn’t very creative. On the other hand, if the stakes are so high that […]
I support artists on Patreon because of what’s in it for them. I love that a few dollars pledged monthly can give artists a steady income, enabling them to devote more time to their craft. But it’s easy to understand the “What’s in it for me” mindset. Like any voluntary […]
“Who is it for?” is one of my top animating questions for any artistic project. The more specific you can be about who the art is for, the more decisive you can be in crafting the art. Who, then, is my new Patreon experiment for? It’s for people who want […]
Why did I choose to experiment with the Patreon direct-patronage model? First, I think the model is really good. Working for a patron when patronage was prevalent in the Baroque and Classical eras correlates with some really remarkable music being written. Moving away from the single commission model can light […]
I’ve been creating music as a career for a long time – my first paid commission came about 20 years ago, and my work is now fairly evenly divided between teaching/conducting and writing for choral ensembles. While virtually all of my work over the last 10+ years has been on […]
What will the harmonic language of your next piece be? Hopefully, your musical studies and experiences have given you fluency in multiple harmonic languages. Pentatonic; modal; tonal; functional jazz; modal jazz; atonal….the list goes on.As I begin to write a piece, I am thinking about the harmonic language, and how […]
I have long loved Steve Zegree’s beautiful setting of the Gershwins’ “Love Walked In.” It’s a study in suspension-resolution, it reaches beautiful jazz harmony while retaining excellent voice leading, and it brilliantly teaches expressive singing. I selected it for GRCC Shades of Blue this fall, because while a cappella ballads […]
Over the past year, I’ve developed a quick process for recording myself singing and playing more effectively. I’ve used it to make guide tracks for my students, to be a part of remote projects, and to make a family Christmas card. What I didn’t anticipate was that it would help […]