arrange • compose • conduct
I believe in the value of the D.S. It can save space in a score, making it easier to print; it can make it easier to learn a piece, because you don’t have to notice that a section is identical – it’s the actual same measures. It is also a […]
Which is most important to you? It has to depend on the context – if I’m picking a Renaissance motet, I’m more likely to focus on the music, because the Latin text isn’t going to be a significant resonating factor for my students. If I’m picking a contemporary choral piece, […]
Historically, composers drew no distinction between composing and arranging. Bach, Mozart, Beethoven, virtually every composer since has transformed existing melodies for their own purposes. I don’t think of the last movement of Beethoven’s Ninth Symphony as an arrangement, and neither do you. The simple truth is that good arranging is […]
My primary strategy for solving my beloved Matt Gaffney’s Weekly Crossword Contest is asking the question, “What’s weird?” What’s unexpected, different, or unusual? What stands out from the background? Because very often, that’s part of the secondary puzzle I have to solve. I approach composing and arranging in much the […]
Our brains are great at filling in the gaps in our perception. There are so many optical and even auditory illusions that show the way that our brains extrapolate from what we experience, creating information inside our brains that doesn’t exist in the world. (I think that’s probably the explanation […]
Why would a composer choose a career that minimizes new compositional work? I think this is true for many composers, but I thought about it the other day about Eric Whitacre. Eric is a celebrated choral composer, with a huge number of “hits” in the choral world. I have no […]
Not being Mozart is freeing, not frustrating. There is a mindset out there that people who are around a Mozart, but aren’t themselves at his generational brilliance, will feel jealousy or a sense of personal failure. Call it Salieri Syndrome. But not being Mozart gives you so much freedom to […]
How do you do your “one last look” at a new project? Even thought I do my music writing almost all on computer (sometimes some sketches are done with a pencil and paper), I feel like I always catch an error or two if I only edit it digitally. Printing […]
Can you find clear direct parallels between different forms of art? A drawing is an autobiographical record of one’s discovery of an event – either seen, remembered or imagined. John Berger John Berger was an writer and artist, among other professions. (I admit to discovering this quote in a recent […]
I love it when the blobs come to life! We’re doing a bonus Cabaret this year. (get your tickets! Wednesday, June 8!) For me, that means taking an other stack of piano-vocal scores and turning them into band arrangements for a pro rhythm section. By far, the most exciting part […]