arrange • compose • conduct
Alice Parker describes two silences: first, the inchoate silence, the preparatory silence before music begins; and second, the silence of completion, after the music ends. One of the most intriguing dances of creation is the dance with inchoate silence. I am composing a set of canons right now; and I […]
Besides “Who is it for?”, one of the most important questions to ask with any new creative endeavor is, “How could I fail?” If your new creative endeavor has no possible way of failing, then it isn’t very creative. On the other hand, if the stakes are so high that […]
I support artists on Patreon because of what’s in it for them. I love that a few dollars pledged monthly can give artists a steady income, enabling them to devote more time to their craft. But it’s easy to understand the “What’s in it for me” mindset. Like any voluntary […]
“Who is it for?” is one of my top animating questions for any artistic project. The more specific you can be about who the art is for, the more decisive you can be in crafting the art. Who, then, is my new Patreon experiment for? It’s for people who want […]
Why did I choose to experiment with the Patreon direct-patronage model? First, I think the model is really good. Working for a patron when patronage was prevalent in the Baroque and Classical eras correlates with some really remarkable music being written. Moving away from the single commission model can light […]
I’ve been creating music as a career for a long time – my first paid commission came about 20 years ago, and my work is now fairly evenly divided between teaching/conducting and writing for choral ensembles. While virtually all of my work over the last 10+ years has been on […]
What will the harmonic language of your next piece be? Hopefully, your musical studies and experiences have given you fluency in multiple harmonic languages. Pentatonic; modal; tonal; functional jazz; modal jazz; atonal….the list goes on.As I begin to write a piece, I am thinking about the harmonic language, and how […]
I tend to be less particular about texts than some composers. I know many composers who don’t involve the commissioning ensembles at all in selecting the text, or who retain final veto, or who control the text decision in some other ways. I personally think of myself as a hired […]
Seth Godin has written frequently about using two axes of differentiation (X-Y axes) as a way to target your art. (This post lays it out with a big quote from Godin’s book This is Marketing.) In short: if you lay out two characteristics along the X-Y axis (remember coordinate geometry?) […]
There are many more than 95 reasons to love Alice Parker. She is one of the world’s leading choral composers and arrangers (two sides of the same coin, says she. The only difference is in one case you wrote the melody, and in the other case someone else did.). She […]