arrange • compose • conduct
A piece and your ensemble’s relationship with it will continue to evolve after its first performance. Best to let that evolution happen before the official premiere! Premiere performances can bring a lot of stress. The performers feel a duty to bring the piece to life in its first performance. There […]
I love the magic of a piece before we sight read it. But it can’t last. Especially when it’s a new commission, the time between having the piece in hand and passing it out to students is particularly magical. First, because I’m the only person in the world who knows […]
The early months of the pandemic included making a virtual choir from across the state of the Michigan Choral Commission Consortium performing Z. Randall Stroope’s “I Have Loved Hours at Sea” which we had commissioned that year. Since then, we’ve had multiple pushbacks, delays, and other problems. That’s why I’m […]
On my morning walks this week, there’s one piece on a loop in my head. It’s the cherry blossoms around every corner that call to mind the timeless A.E. Housman poem, “Loveliest of Trees.” And I love the version I was lucky enough to commission for the Rockford Aces from […]
I love premieres. As a composer and arranger, you would think it goes with the territory, but the truth is that developing my craft was focused so much on the work I do in my studio – selecting notes, rhythms, orchestration, voicings, etc. – that it took me years to […]
For the past 5 or 6 years, I’ve had an annual Tip Jar in which I accepted donations from readers to help support my costs of maintaining the website. Many people were very generous in their encouragement of my writing. In 2020, I skipped it – it was a time […]
I had an interesting arrangement challenge recently – it was for a flash mob-style performance at a wedding, and had some very specific requirements, not least a very limited amount of rehearsal time. Since the commissioning party is an excellent singer but not a professional musician, I thought carefully about […]
Besides “Who is it for?”, one of the most important questions to ask with any new creative endeavor is, “How could I fail?” If your new creative endeavor has no possible way of failing, then it isn’t very creative. On the other hand, if the stakes are so high that […]
I support artists on Patreon because of what’s in it for them. I love that a few dollars pledged monthly can give artists a steady income, enabling them to devote more time to their craft. But it’s easy to understand the “What’s in it for me” mindset. Like any voluntary […]
“Who is it for?” is one of my top animating questions for any artistic project. The more specific you can be about who the art is for, the more decisive you can be in crafting the art. Who, then, is my new Patreon experiment for? It’s for people who want […]