In times of upheaval, I lean on touchstones–works of art that have shaped me and the continue to be sources of inspiration, influence, and solace. It might be rereading a favorite novel, a cherished poem, a movie, or (especially often) a favorite album with a good pair of headphones.
Mack The Knife: Ella in Berlin is one of the most joyful albums I know. Recorded live at the Deutschlandhalle in Berlin in 1960 (a venue that seated nearly 9,000), the album has received numerous awards and honors, and is widely considered to be at the top of the many live recordings Ella recorded in her long career. (Personally, I think 12 Nights in Hollywood, recorded in 1961-1962 and unreleased until 2009, might be finer…)
The joy is palpable throughout: in Ella’s singing, in her perfectly supportive quartet, in the audience engagement. And it ends with an unparalleled two-punch combo: her 8-minute+ virtuosic version of “How High The Moon”, preceded by her legendary “forget the words” version of “Mack The Knife,” complete with her impersonation of Louis Armstrong and improvised lyrics. I grew up with the 1993 CD version, which includes four great additional tracks. But the 9-track original album version is enough to bring joy to any listener.
If it’s joy you seek, put this album on. It delivers consistently.
That’s without mentioning the virtuosity of the performance – it’s also a masterclass in golden age jazz singing, in concert pacing, in improvisation, and in so much else. It’s the real deal. Ella’s artistry is often glossed over, because her music is always so effortless, so easy to consume. But I find no argument with those say she was the greatest singer of the 20th century. This, one of her finest albums, is evidence why – and it’s a personal touchstone in my artistic and aural development.
Touchstones is an ongoing series of posts I’ll be writing during the COVID-19 season, reflecting on the works of art that support me in times of upheaval. I encourage you to make a list of your own “touchstones” and if you like, share them with me to publish here.